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Introduction and also Text the "Identity"
Julio Noboa Polanco's item of doggerel, titled "Identity," has end up being an web favorite; unfortunately, this clumsy city employs the use of hyperbole that results in nonsense. The purpose of exaggeration is to emphasize the properties of some entity or event, no to pervert the subject right into something the is not. Because that example, one’s thoughts might be hyperbolically expressed together soaring prefer an eagle. However if one locations those think in the mind of a weed clinging to a cliff, the possibility of trip becomes impossible. That ludicrous comparison appears in the 2nd versagraph that this poem: "I'd quite be a tall, ugly weed, / clinging on cliffs, choose an eagle / wind-wavering above high, jagged rocks."
The design template of the item centers on the an extremely human and admirable desire because that freedom and individuality. The speaker, therefore, is asserting the unlike all the misguided souls who select to live a disciplined life, this speaker proudly announces that he prefers to remain a rowdy rebel, but the speaker unfortunately chooses to compare himself and his compatriots to plants. The desire for freedom precludes the desire to be an reality that is rooted to ground.
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A perverted kind of appropriateness is afloat in the reality that the versagraphs continue to be uneven in the ~ do so poem. Technological skill and logic room both severely doing not have in the internet sensation.
Let lock be together flowers, always watered, fed, guarded, admired, but harnessed to a pot the dirt.
I'd quite be a tall, ugly weed, clinging ~ above cliffs, choose an eagle wind-wavering over high, jagged rocks.
To have broken through the surface of stone, to live, to feeling exposed to the insanity of the vast, eternal sky. To be swayed through the breezes of an old sea, transporting my soul, mine seed, beyond the hills of time or right into the abyss that the bizarre.
I'd rather be unseen, and if then shunned by everyone, 보다 to be a pleasant-smelling flower, growing in clusters in the fertile valley, wherein they're praised, handled, and plucked by greedy, person hands.
I'd fairly smell that musty, eco-friendly stench than of sweet, fragrant lilac. If I can stand alone, strong and free, I'd fairly be a tall, ugly weed.
Reading of "Identity"
CommentaryIn Julio Noboa Polanco's "Identity," the expression the the heartfelt desire because that freedom and individuality continues to be shrouded behind combined metaphors and also the inappropriate usage of hyperbole.
First Movement: Ludicrous Dichotomy and also Mixed Metaphor
Let castle be as flowers, constantly watered, fed, guarded, admired, however harnessed to a pot that dirt.
I'd fairly be a tall, ugly weed, clinging top top cliffs, prefer an eagle wind-wavering above high, jagged rocks.
The speaker concocts a perverted dichotomy in between himself and his fellows, who he identifies merely as "them." leaving those others, "them," unidentified, however, the speaker takes as his task to castigate those who execute not agree v his specific brand of liberty philosophy.
The speaker's opened lines mix a an allegory of flower and also horse. Those other people, who the speaker disdains, are like well-kept flowers in a flower pot, however he states they are "harnessed come a pot the dirt." horses are harnessed, not flowers. His mixed an allegory betrays the item as nonsense. Combined metaphors cannot connect accurately, as the blending creates just confusion and disorder.
The an initial part of the dichotomy is the flower, and also the 2nd is a weed; thus, the speak is trying to convince his readers the being a weed is much better than gift a flower. He insurance claims that the prefers to be a large ugly weed, and he likens the ugly weed, which also lives fastened come dirt simply as the flower in a pot does, to an eagle. The absence of logic below is breathtaking: eagles fly, plants do not! it matters no that the plant lives admired in a pot or grows out on the prairie unseen by anyone; neither will ever before takes wings and fly away together the eagle absolutely will. Again, a blended metaphor, below expressed together a simile, has resulted in nothing however confusion.
Second Movement: The Curse that Postmod Gibberish
To have broken through the surface ar of stone, to live, to feel exposed to the wildly of the vast, eternal sky. To be swayed by the breezes of an ancient sea, moving my soul, mine seed, past the hills of time or into the abyss that the bizarre.
The speak then offers a collection of infinitives, "to have broken," "to feel," "to live," and "to it is in swayed." The first infinitive explains the activity of a saxifrage, a tree that has actually burst with some tough surface choose concrete or "stone." The speaker supplies no context because that such one action, which does not appropriately describe any activity a human being being might take.
But the speaker seems to think the breaking through that stony surface will permit him "to live." and also apparently come him, life is gift "exposed come the wildly / that the huge eternal sky." Tell the to victim of tornadoes, hurricanes, and also other severe, damaging storms the maim and kill. Far from enabling him to live, the "madness" can kill him instead.
In a vague, meaningless, and stupendously absurd claim, the speaker asserts that he would like his "soul" and his "seed" to be carried by the winds that "an old sea" to part "abyss the the bizarre" which apparently exists "beyond the mountains of time." Again, the attempt at hyperbole remains nonsensical. If that is a weed, his seed might be brought far and large by the wind. Yet trying to do the areas where the seed can land into "an ancient sea" "beyond the mountains of time" create a vagueness that stays unrealizable.
The "abyss of the bizarre" opens up the hyperbolic sailing on the wind to the level of an absurd abstraction. The poetaster is obviously striving to sound profound however fails to also offer photo that deserve to be perceived.
Third Movement: Confusion and Contradiction
I'd rather be unseen, and if climate shunned by everyone, than to be a pleasant-smelling flower, growing in clusters in the productive valley, where they're praised, handled, and plucked by greedy, person hands.
There appears to be a structural error in the opened line in the movement. The "and if" seems to be dangling, offering no an interpretation and just confusing what the speak is trying come say. Possibly he means "or," but actually omitting the phrase might enhance meaning somewhat.
The speak has currently claimed that would like to be a weed cultivation wild and free than to be a plant in a pot. Currently the speaker insurance claims he would favor to be invisible than to be a "pleasant-smelling flower" even if the flower is cultivation in a "fertile valley." This claim throws a man contradiction into the mix. He desired to a weed come a flower in a pot since the weed is out cultivation somewhere in nature. Yet now he's denigrating also flowers that grow wild.
Fourth Movement: A Stinky Weed
I'd fairly smell that musty, green stench 보다 of sweet, fragrant lilac. If I might stand alone, solid and free, I'd fairly be a tall, ugly weed.
The speaker has now went back to his desire to be a weed—and a stinky weed in ~ that. He would choose to stink and "stand alone" 보다 to be a sweet odor lilac. That fancies the those ugly, tall, stinky weeds have much more freedom 보다 sweet-smelling flower that humans enjoy. The concept is ludicrous. A weed go not, in fact, possess much more freedom, nor is the stronger, 보다 a flower.
Of course, anyone prefers come live together a being that possesses strength and also freedom. Thus, this would-be poet’s instinct for liberty is well-grounded and even admirable, yet unfortunately his execution of this poem continues to be a hyperbolic disaster.
Answer: The ton of this piece of doggerel is adolescent arrogance.
Question: What is the layout of the city "Identity"?
Answer: The theme of this piece is freedom.
Question: What is “ugly weed, / clinging on cliffs,” an example of in the city "Identity" by Julio Noboa?
Answer: The lines, “ugly weed, / clinging ~ above cliffs,” is a failed imagistic metaphor. The speak concocts a perverted dichotomy between himself and his fellows, who he identifies just as "them." leave those others, "them," unidentified, however, the speak takes together his job to castigate those who do not agree through his particular brand the philosophy.
The speaker's opened lines determine him automatically as a poetaster together he mixes a metaphor of flower and also horse. Those various other people, who the speak disdains, are prefer well-kept flowers in a flower pot, but he says they space "harnessed come a pot of dirt." equines are harnessed, not flowers. His mixed metaphor may lug on a belly-laugh for which the doggerel is not striving.
The very first leg, then, the the dichotomy is the flower, and the 2nd is a weed. Therefore the speak is walk to shot to convince his readers that being a weed is far better than being a flower. For this reason he insurance claims that that prefers to it is in a huge ugly weed. And he likens the ugly weed, which also lives fastened to dirt just as the flower in a pot does, come an eagle. The absence of logic right here is breathtaking: eagles fly, plants carry out not! it matters not that the plant resides admired in a pot or grows the end on the prairie unseen through anyone; neither will ever before take wing and also fly away together the eagle certainly will.
Question: define why this city by Julio Noboa Planco is a "pretend poem"?
Answer: Julio Noboa Polanco's item of doggerel, titled "Identity," has come to be an net favorite. It is the type of fraudulent verse that satisfies only readers whose interest in poetry continues to be one-dimensional and also painfully immature. The just reason because that a severe commentator of city to bother v such a piece is to offer readers an example of what no to appreciate or give much attention to in piece that litter the net masquerading as "poetry." follow to this speaker, unlike all the misguided souls that select to live a disciplined life, he proud announces the he prefers to stay a rowdy rebel. However the immature speaker, unfortunately, chooses to to compare himself and also his compatriots come plants. This an option demonstrates a absence of skill not just in poetry writing however in the capacity to choose proper logical analogies. A perverted kind of appropriateness is afloat in the fact that the versagraphs continue to be uneven in the piece. Therefore technical skill, too as an innovative content, room both severely lacking in the web sensation. Offer it a glance and move on!
Question: has actually Julio Noboa Planco written any an ext poems?
Answer: Apparently, no one that have actually made it into the cyber world as this one has done.
Question: What is the relationship in between the main image and also the title of Polanco’s poem?
Answer: The main image is a weed. The speaker claims he would prefer to it is in a weed, the is, to "identify" as a weed out farming in the wild quite than to be a well-cared-for tree in a pot. A breathtaking, faulty analogy: both the weed and the well-cared-for plant are rooted in the soil. They have the same level of freedom, which the speaker is make the efforts to case as his motive. The poem merely does not work.
Question: What is the TPCASTT the the poem "Identity" by Julio Noboa?
Answer: T: acknowledgment (of self and/or others)
P: I’d rather be a wild weed 보다 a nurtured flower.
C: None. (Doggerel has actually no feeling of suggestion.)
A: Holier 보다 thou.
S: None. (Doggerel continues to be shiftless.)
T: i am a poetaster; over there is no poetry in me.
T: test “freedom.” (But again doggerel can not pose a major theme.)
Question: What is the atmosphere of the city "Identity" through Julio Noboa Polanco?
Answer: The mood of Polanco's "Identity" is arrogance.
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Question: just how do you mention this poem?
Answer: ns suggest complying with the MLA (Modern Language Association) guidelines.
Question: Why perform you think the speak of Polanco's "Identity" would rather be a weed?